Review of PIANO
September 20, 2015
"Very impressed with your performance, repertoire and production. Mussorgsky is full of
great expression & poetry, and the Tchaikovsky displays a great range of emotion,
lightness of touch - your performance is excellent - very expressive, emotive and
deeply poetic; and the production quality is very good; very well done and really great
to listen to"
Nick Peros at PHOENIX CLASSICS
September 20, 2015
"Very impressed with your performance, repertoire and production. Mussorgsky is full of
great expression & poetry, and the Tchaikovsky displays a great range of emotion,
lightness of touch - your performance is excellent - very expressive, emotive and
deeply poetic; and the production quality is very good; very well done and really great
to listen to"
Nick Peros at PHOENIX CLASSICS
Anastasia Dedik at the RCMF Seattle Annual Piano Recital Series
January 22, 2013
January 22, 2013
New York Concert Review
May 15th, 2010
The evening’s finale was Tchaikovsky’s Piano Concerto No. 1 played by Anastasia Dedik, the winner of NYCA’s first International Concerto Competition (2010)... She delivered a strong, muscular account of the work, nearly flawless in the octaves and difficult passages... It was a rousing finish to a memorable evening.
Read the full article HERE
May 15th, 2010
The evening’s finale was Tchaikovsky’s Piano Concerto No. 1 played by Anastasia Dedik, the winner of NYCA’s first International Concerto Competition (2010)... She delivered a strong, muscular account of the work, nearly flawless in the octaves and difficult passages... It was a rousing finish to a memorable evening.
Read the full article HERE
Dedik Shines in International Competitions
Edition 2007
Since graduating in May 2006 with an Artist Diploma in piano performance, Anastasia Dedik has added three international competition first prizes to a résumé already replete with prestigious awards. Besides the 2007 Fischoff grand prize and gold medal she claimed as a member of the Prima Trio [see page 11], her most recent victory was in the April 2007 Bradshaw and Buono International Piano Competition. The first prize was a debut performance in Weill Recital Hall at Carnegie Hall, which Dedik gave on May 20.
Oberlin Conservatory Magazine, 2007th Edition
Read full article HERE
Edition 2007
Since graduating in May 2006 with an Artist Diploma in piano performance, Anastasia Dedik has added three international competition first prizes to a résumé already replete with prestigious awards. Besides the 2007 Fischoff grand prize and gold medal she claimed as a member of the Prima Trio [see page 11], her most recent victory was in the April 2007 Bradshaw and Buono International Piano Competition. The first prize was a debut performance in Weill Recital Hall at Carnegie Hall, which Dedik gave on May 20.
Oberlin Conservatory Magazine, 2007th Edition
Read full article HERE
Steinway Society Young Artists Concert
May 4th, 2006
The winner of the Advanced prize in 2005, Anastasia Dedik is now 25 years old and studying at Oberlin, having graduated from the St. Petersburg Conservatory two years ago. She began with Mikhail Pletnev’s superb transcription of three movements from Tchaikovsky's Nutcracker Suite, and the first of these, the Andante Maestoso, brought tears to the eyes. Tchaikovsky’s heart-warming melody was played with exactly the right inflexions and total absorption, while another pair of hands seemed to be playing the arpeggios running up and down the keyboard. The effect was almost orchestral, and later there were zipping scales to add to the excitement, before the subsidence to the quiet close, and a bottom G struck just heavily enough to blend into the resolution of the final chords. The Sugar Plum Fairy followed, as charming as ever, with some appropriately plummy staccato, followed by a vivid Trepak, again on an orchestral scale. This was highly accomplished and authentically Russian pianism.
Steinway Society The Bay Area, May 4th, 2006
Read the full article HERE
May 4th, 2006
The winner of the Advanced prize in 2005, Anastasia Dedik is now 25 years old and studying at Oberlin, having graduated from the St. Petersburg Conservatory two years ago. She began with Mikhail Pletnev’s superb transcription of three movements from Tchaikovsky's Nutcracker Suite, and the first of these, the Andante Maestoso, brought tears to the eyes. Tchaikovsky’s heart-warming melody was played with exactly the right inflexions and total absorption, while another pair of hands seemed to be playing the arpeggios running up and down the keyboard. The effect was almost orchestral, and later there were zipping scales to add to the excitement, before the subsidence to the quiet close, and a bottom G struck just heavily enough to blend into the resolution of the final chords. The Sugar Plum Fairy followed, as charming as ever, with some appropriately plummy staccato, followed by a vivid Trepak, again on an orchestral scale. This was highly accomplished and authentically Russian pianism.
Steinway Society The Bay Area, May 4th, 2006
Read the full article HERE
